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Dear Readers,
It's not Labor Day yet, which means it's still summer. Fall will have to bide her time.
In the meantime, we're profiling Elana Dykewomon. Maybe you're already a fan of this prolific, energetic writer and activist and wondering why we haven't written about her before. Or maybe you haven't yet been introduced (really?). Either way, check out the Author Profile below. (It's lengthy, yes, but Elana's not someone you can–or want to–cut short.)
At last, we've finalized all the details of what Bywater will be up to at P-town this year. To find out more, see P-town 2010 below.
As always, we at Bywater strive to bring you the finest in
lesbian romance, mystery, and literary fiction.
Till next time!
Kelly Smith
Marianne K. Martin Val McDermid
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True story: Elana Dykewomon was
once asked, Do lesbian writers in the United States actually talk to each other?
Turns out that they don't in Germany–too afraid of having their ideas stolen, apparently.
That's not an attitude that makes
sense to Elana. The lesbian writing community, she says, "nourishes me every day." Besides, "our conversations and trust spark ideas, and when others transform our ideas in their work, our thoughts start moving in time." Nor are these mere words; Elana has lived her ideals.
While at college, she realized she hadn't read a piece of fiction that allowed lesbians to have–wait for it–a happy ending. So she wrote it herself. Riverfinger Women was published in 1974 by Daughter's Inc., and was the first novel ever to be advertised as "lesbian" in the New York Times. For that reason alone, it deserves its place on the Publishing Triangle's list of the 100 best lesbian and gay novels.
If you come across a first edition of Riverfinger Women, you'll see that Elana used her birth surname on the cover. She changed it shortly afterward, choosing "Dykewoman" to describe who she is–and because, she figured, a name like that would keep her out of the New York Times. (It did. More than three decades later, it still does.) And because it reminds her daily of her choice to be a cultural worker–a member of the communities about which she writes.
Within a few years, she had amended her name again, this time to "Dykewomon." Now free from any link to the word "man," this was the name she used for her first collection of poetry, Fragments from Lesbos. This, she decided, would be for lesbians only. That may sound unlikely, but Elana was a trained typesetter and letterpress printer–who quot;still misses the interaction of lead type with the tooth of paper, the sculptural dimension of print"–so she printed the collection herself, advertised it in lesbian journals only, and all 600 copies sold out.
That's typical of Elana. With her, it's hard to separate her writing from her activism. It's no coincidence that she gave 10 years to writing Beyond the Pale, set in the years of the Progressive Era, when women were fighting for the vote and involved in the emerging union movement. Today, she stands whenever she can with Women in Black (the international women's peace movement) and also champions fat rights. Both threads of her current activism are woven together in her latest novel, Risk, which deftly exposes the traumas of war, and shows how the wounds of one generation injure the next. Not surprisingly, it brought Elana the Duggins Outstanding Mid-Career Novelist award of 2009. To find out more about Risk, see Spotlight below.
Of course, it's not just in novels and poems that Elana has expressed herself. Some of her most important work began life as articles that were copied and recopied, often by hand, and then passed from woman to woman; many were later published in journals. For seven years she was an editor of Sinister Wisdom, the international journal of lesbian art and politics, and she has contributed to many lesbian journals, including Common Lives/Lesbian Lives, The Journal of Lesbian Studies, and most recently Trivia online. She has given hundreds of spoken word performances across America and Europe, and in Jerusalem. Currently she teaches at San Francisco State University; she also offers private tuition in creative writing (for more details, check out her website: www.dykewomon.org).
I could go on. I could tell you how she started Lesbian Gardens, worked for the Women's Film Co-op, participated in the "great lesbian wars" of the 1970s, coordinated senior and disabled services for the SF Dyke March, and today serves on the San Francisco Public Library's Hormel LGBT committee and on the board of Fabled Asp (Fabulous/Activist Bay Area Lesbians with Disabilities: A Storytelling Project). "A long life in a short space" is how she puts it.
Any regrets? Only that some of her notebooks, kept since childhood, have "turned to compost in my basement, leaving me surprised to see how many reams of words could turn to dust while so much is still left to sift and sift."
Elana lives with Susan Levinkind, her partner of 21 years, among many friends in the SF Bay Area.
by Caroline Curtis
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Risk by Elana Dykewomon
To change the world, you need to take risks. That's something Carol Schwartz knows bone deep. And it's something she's prepared to do.
She learned about risk as a girl. She never understood why, but her father chose to go to Vietnam. She never saw him again.
Now Carol, a Berkeley-educated idealist, tutors high school students. A Jewish lesbian, she's a community activist in Oakland. And she's learned to take risks of her own. She gambles her inheritance, her love, even her own well-being.
Across the years–from the mid-eighties to the post-9/11 world–the stakes get ever higher and her gambles more desperate. Until finally Carol finds out just what's left when the last gamble is lost.
"Risk is a novel with depth and heart and wisdom, with political clarity and spiritual dimension and the promise of forever … and–most rewardingly–an inspirational account of the sexual pleasure and emotional sustenance two women can provide each other as caring years pass."
—Richard Labonte, Book Marks
$14.95 Lesbian Fiction 272 pp ISBN 978-1-932859-69-0
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Lisa Gitlin will present her book at the Mayerson Jewish Community Center, as part of Jewish Book Month, on November 11 at 7 p.m. Amberley Village 8485 Ridge Road, Cincinnati, OH 45236.
Elena Dykewomon will be appearing at the Center for Lesbian and Gay Studies (CLAGS) in New York on October 8-10, as part of the event In Amerika they Call Us Dykes: Lesbian Lives in the 1970s. This is "a weekend-long event/conference/festival of lesbian history, culture, arts, scholarship, discussion, and performance from Friday, October 8th to Sunday, October 10th. The event will call upon experience, memory, and scholarship to represent as fully as possible the broad and wide experience of lesbians in the 1970s." Elena will sit on two panels and give a reading. The Graduate Center City University of New York, Room 7.115.365 Fifth Avenue New York, NY 10016 For more information: (212) 817-1955 or clags@gc.cuny.edu
Stella Duffy · will be leading a Starting to Write workshop for New Writing South on Saturday, September 18. De La Warr Pavilion Bexhill East Sussex TN40 1DA England For more information: www.dlwp.com/default.aspx
· will be at the Small Wonder Short Story Festival in Charleston, UK on Thursday, September 23. For more information: www.charleston.org.uk/smallwonder/programme.php
· will lead a writer's workshop as part of the Havant Literary Festival in Havant, UK on Saturday October 2, 10:30 a.m to 1 p.m. Spring Arts and Heritage Centre 56 East Street Havant Hampshire PO9 1BS
· will be appearing at the Cheltenham Literature Festival in Cheltenham, UK on Friday October 15, 12 to 1 p.m. She will sit on a panel called Ancient Heroines, in which panellists choose a woman they admire from the Ancient World. On Saturday 16th and Sunday 17th, she will lead a Starting to Write workshop.
· received a Eureka Commission from Comma Press, to write a short story on the subject of scientific breakthroughs. She will read it for the first time on Saturday October 23 in Manchester, UK. Godlee Observatory, Sackville Building Manchester M6
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Once again, Bywater will again be part of Women's Week, running this year from October 8 to 17.
Mari SanGiovanni and Marianne K. Martin will be signing books and having fun at Womencrafts on Thursday 14th at 2:30 to 4 p.m. and Friday 15th at 2:30 to 4 p.m.
First-time novelist Lisa Gitlin will join them on Saturday 16th, at 1:15 to 2:45 p.m.
As in previous years, Bywater will be holding A Night of Wine and Cheese and M&Ms. This will again be hosted by Womencrafts, and will take place on Thursday 14th at 6 to 8 p.m.
And on Saturday morning, at 10 a.m., Kelly Smith and Marianne K. Martin will be on a panel chaired by Kate Clinton. They'll be asking Can You Hear us Now! as they talk about literature, technology, social networking, and growing up–or should that be growing old? Join them in the Cabaret Room at the Crown & Anchor.
We'd like to thank the Crown & Anchor for its support–so please enjoy a meal at the Central House.
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